Sacred Threads has posted a video of the Eye Contact exhibit that was held in July. Here is a link to the video: http://www.sacredthreadsquilts.com/html/iseeyou.html
What a cool way to display these little quilts!
What a cool way to display these little quilts!
Earlier I posted about a small quilt I made and entered into an exhibit sponsored by Sacred Threads. The exhibit has just closed. Although I haven’t seen any photographs of the actual exhibit, I did receive a copy of the “catalog” for the exhibit. It is nicely done. Photos to follow!
But first the big news. The exhibit was successful enough that the sponsors believe they can put together a travelling exhibit, and have asked permission to keep all the quilts until May of 2021! I have sent in my permission. Hopefully enough other exhibitors will also do it so the travelling exhibit can happen. Since I was not able to see the actual exhibit, maybe it will come to a venue close enough that I can visit it.
Here are some photos of the very nice book produced by Sacred Threads:
I have just completed an on-demand video course on fused applique portrait quilts. It is taught by Lea McComas (her website is www.leamccomas.com/) and is available through The Quilting Company https://www.quiltingcompany.com/store/courses-videos/courses?technique=249 .
Lea does an excellent job of explaining the process of creating portrait quilts. After explaining how to select a suitable photo, she explains the process of cropping it, transforming it to grayscale, and then “posterizing” it to reduce the number of values in the portrait.
Lea also has fabric and threads available on her website that are already in the range of values she recommends. To avoid having to spend hours in the car going from one quilt shop to another, I purchased these fabrics and threads directly from her. The fabrics she supplies are solid Kona cottons. They are nice fabrics but will result in a particular “look” to the finished product. Sort of like an old “poster” or an Andy Warhol look.
I am quite happy with my first quilt following the process and plan to do a few more using these solid fabrics. After some more experience using solids, I will switch to subtle prints for more texture and a different look.
First step was to select a photo. I picked one that was a formal portrait and cropped it.
Then I converted it to gray scale and “posterized” it to reduce the number of values (fabrics).
I enlarged this using Microsoft Paint (page setup for printing allows you to specify how many pages you want the photo to print on). I could have put the file on a thumb drive and taken it to my local print shop, but it was quicker to do it at home and tape the pages together.
Then I put the image on my light table and put freezer paper on top so I could trace a pattern for cutting out my fabrics:
The little red arrows mean that an extra 1/4 inch or so of fabric should be allowed on that side of the pattern piece, so it can be layered underneath the neighboring piece.
These pieces are then carefully cut out and ironed onto the various fabrics. A fusible such as Steam A Steam 2 Lite or Misty Fuse is then applied to the back of the fabric and the fused pieces cut out. Starting with the lightest value, the fabrics are built up on a muslin backing until the result looks like this:
Then a quilt sandwich is made with this quilt top, batting and a backing fabric. Finally a layer of bridal tulle is placed on top to hold all those little pieces in place! The layers are pinned together and then free motion stitched. The face is stitched by just outlining the fabric pieces. Extra stitching is done in the hair and the background to add some additional texture.
The final result, after quilting and adding a facing is below:
This is an interesting process! The cutting out and fusing down of the pieces is a little tedious, but overall it is a fairly quick process to create a portrait quilt.
If you are interested in trying this process, be sure to take Lea’s class.
Lea uses a fused quilt like this as a “base” for heavy thread painting. That allows for a much more realistic look in the face, because the thread can be used to soften the color transitions. Check out her website for examples of her spectacular quilts!
Last fall I took a Craftsy class from Lola Jenkins on making portrait quilts using colored pencils. Lola has a wonderful relaxed approach to her art and it was a fun class. I recommend it if you are interested in this subject.
I used an assortment of colored pencils for the project, mostly Prismacolor pencils but also some Crayola pencils, and occasionally a Derwent Inktense pencil (I have a limited range of colors in those but they have a lot of pigment so you can get a stronger color with them).
The process used is to print a line drawing on paper and then trace it onto fabric using a light table or a convenient window. Lola likes to add interest to her portraits by adding shapes in front of the portrait. For the class, I used her example, which is Vermier’s “Lady With A Pearl Earring”.
After the drawing is traced on the fabric, the fabric is fused to an interfacing. The traced drawing is stitched with black thread. Then the colored pencils are used to make the portrait.
In the image below, you can see the result. Since this was a class project, I haven’t completed the background. This allows you to see what the original fabric looked like. I was impressed with how vibrant the colors were and how little the fabric color showed through.
After the pencil work was completed, the fabric is painted with textile medium to set the color. This is supposed to make it permanent, although I haven’t conducted a test yet.
More recently I was working with a photo of a cute wild rabbit I took in the local park. where I was photographing flowers and he/she hopped by to look at me.
Here is the rabbit photo.
And here is the small quilt I made based on the photo, again with colored pencils. Remembering Lola’s approach, I added the daffodils in front and behind the rabbit to add some more interest. I stitched the outlines of the rabbit and flowers, then quilted the background completely before coloring with pencils.
I call this one “Daffy Bunny”. I think it’s kind of cute — although it certainly isn’t my usual style!